A Drift of Quills – Light Out of Darkness

Today we are writing short stories – original pieces, based on a shared bit of art. This one by Laura Diehl is enchanting. I wonder what you think?


Parker Broaddus

Author of  A Hero’s Curse & Nightrage Rising

Follow along on Amazon

Light Out of Darkness

Akari knew Grandfather’s stories. The stories of creation–of the sun and moon and wind. Of Amaterasu, the sun goddess, of how she put her light into the darkness of the sea and brought forth life. Or Akari’s favorite, of how the goddess hid from her brother in a cave. Akari knew how the sun goddess felt. Sometimes she wanted to hide from her brothers too.

Grandfather’s face would grow serious, and his white eyebrows seemed to grow even bushier and more wild than usual when he told of Yomi, the land of the dead—but then his eyes would crinkle with laughter as he told of how the gods tried to get Amaterasu to leave her cave and give light to the world once again. “It is light that gives life.”

“Light, and love,” Grandmother interjected.

Grandfather harrumphed at being interrupted, but he nodded all the same. “It’s true. And your name means ‘light,’ little one,” he would tell Akari. “Maybe you are related to Amaterasu.”

Akari liked that. She liked the sun, warm on her face, and the way it brought life to the world, tempting new pink buds to peek out of hiding on the hill cherry trees, or teasing the sea otter into playing on the warm rocks at the edge of the sea.

“Yes, you are light and sunshine,” Grandmother grinned, “but even the sun must go to bed!” And she would send Akari scampering across the yard to her own home.

And usually Akari would trundle off to bed, complaining and dragging her feet all the way.

But this night was different.

For one the moon was low and round and full. It cast its light through Akari’s bedroom window and she could not sleep. It lit the room and her books and the niche where her ancestral guardian stood in shadow, and the empty crib across the room. Akari’s mother came in to check on her before turning down the last lamp. Akari was very still. Her mother kissed her gently on the cheek and moved away. Akari peeked. Her mother had stopped at the empty crib. She ran her fingers across the beautifully engraved rail and sighed a deep sigh before slipping out of the room.

Akari sat bold upright. Life. Light. That was it!! She slid out of bed and tiptoed to the niche in the wall. She ignored the guardian. It couldn’t help. She had already asked–hundreds of times, but it was just stone. The real guardian’s spirit was somewhere else, feasting. It only checked in once a year or so, when the family left an offering. Everyone knew that.

Her fingers found the small box of beads. She opened the finely carved lid. They were dull and almost black in the pale glow of the moon. During the day they were brilliant blue, like the sea. Supposedly sacred, but Akari didn’t believe it. She put them back. The little man who had sold them said that they came from one of the northern temples, but she suspected they probably just came from a cheap shop in town. There, behind the little box was a small pouch. She pulled it out and opened the mouth of the leather satchel. Perhaps it was a trick of the moon–perhaps it was something else–but the white sandy dust seemed to shimmer and sparkle like diamonds.

Akari smiled. Yes. This was something. It hadn’t been sold out of the same wagon as tin pots and copper kettles. This had been handed down from one set of grandparents to another and was even older than the guardian. Grandfather didn’t know when it had first come to the family, but the stories said that it might have come from the temple of Amaterasu. Dust from the floor of the temple, trod upon by the gods.

Akari didn’t think so. There was something more here. She could feel it. See it. Related to Amaterasu, most definitely. But more than dust from the floor. Of that she was certain. Akari balled the treasure in her fist and moved toward the door like another moon shadow. She paused at the crib. “I’m coming for you little sister,” she whispered.

She knew where she must go. The light must meet darkness. Akari broke into a trot, past her grandparents home, down the slope and across the tiny red bridge to where the boats were tied. She gulped when she saw the water. The moon’s reflection bounced off the top of the water, but could not pierce the black depths. Akari untied the little boat her father had made for her and hopped in, clutching the sand close. With one hand she unfurled the miniature sail and let the moon breeze push her out into the deeper water. Water lilies bumped happily against the boat, pleased to see a visitor.

Akari opened the purse a fraction, just to check. Sure enough, the full light of the moon seemed to give the sand an unearthly glow. Akari looked back guiltily at shore, and the two dark smudges that were her home and her grandparent’s house.

“Just a little,” she said aloud. “She was such a small person…”

Akari leaned over the side and said a quick prayer before sprinkling a handful of the precious dust into the black depths.

Her eyes went wide. She believed the sand had come from Amaterasu, but seeing and believing are two different things. Now she saw. The sand floated away from her, as if on an invisible breeze, and seemed to glow even brighter upon meeting the dark sea. Something quick and wet darted up and swallowed her offering.

“No!” Akari hissed. “You stupid fish! That isn’t yours to take!” She waited a moment before sprinkling another trickle of dust on the surface of the water. This time she saw them coming. Several fish. They were easy to see because one of them was glowing with a light from within. Soon several fish were glowing. They swam under the boat, and in great gliding circles, playing in the light they cast.

Akari’s mouth was open. She sprinkled some more sand in the water. Soon she could see clear to the bottom of the depths. She could see the lily pads long stems, and their gently waving arms.

But then she was out of sand. She almost cried then, for while the fish were pretty, they were no substitute for a sister.

Akari steered her little boat home. On shore she quickly filled the little purse with sand from the beach and then retraced her steps home. She tucked the pouch back in its place and crawled into bed, full of wonder and disappointment, unaware that something new had been born that night.

It was not until many years later that Akari thought of her light and that it could be related to the sightings of the ningyo, or half fish, half human, along the coast where she lived. But to this day, if you see a ningyo, and you mention that you know Akari, they will grant you a wish, as a thank you to the girl who gave them light and life.

 

 


Robin Lythgoe

Author of As the Crow Flies

Robin’s Website

Golden Girl

The third plank in from the window was the one that squeaked, and Mashika avoided it as she climbed carefully through the window, shrouded in summer’s warm shadows. Getting caught sneaking back into the house after hours was not a good idea. Light came from downstairs in the kitchen. Someone was still up. She held her breath, and after a moment she heard voices speaking. Mama and Papa were still awake.

“There’s no choice,” Papa was saying. “We’ll start tomorrow night.”


Patricia Reding

Author of Oathtaker

Patricia’s Website

 

He Needed Her
by Patricia Reding
Copyright Patricia Reding 2020

Crimson waxy leaves glistened in the waning sunlight, chattering amongst themselves as a cool breeze moved through. In the distance, the cat-like cries of black-tailed gulls sounded out.

Kaida flitted down the garden path toward the sea. On reaching the water’s edge, she came to a sudden halt. Before her and a short distance from shore, tiptoeing from one semi-submerged rock to another, an egret meandered. On sight of her, he spread his snowy white wings, then took to flight, joining the mewing gulls in their happy airborne ballet. Kaida grinned at the bird’s gangly legs that seemingly dragged behind, but then quickly turned serious once more. She had to get back to KanaRyu as quickly as possible. He needed her.

Spotting her boat hidden in the nearby rushes …

A Drift of Quills – Openers

This month I’m late publishing – I was on a trip to the Outer Banks with the fam and several of our close friends when Hurricane Dorian hit. Fortunately we were able evacuate and found another spot to land on Lake Gaston. It just so happened that despite the change in location and plans we had a perfect week, beautiful weather, refreshing conversation and lots and lots of laughter.

Now I’m back, fall is in the air and life is begging to be lived. My oldest boy started 1st grade on Monday and I got to walk him to his first day of class. He was decked out in new shoes and new backpack, but the wonder, curiosity and excitement were the same that he’s carried with him since he started tottering after me half a decade ago.

It feels like the opening line to a new story. And I suppose it is.

Speaking of opening lines, our group of writers have put together some favorites for you. Check them out below…


Robin Lythgoe

Author of As the Crow Flies

Robin’s Website

The internet is full of lists of “best first sentences.” That opening line garners a lot of attention. It has a lot of work to do! It’s got to set the mood and draw the reader in. No hemming and hawing, blushing, or flailing around for something to talk about. (So I would totally fail as an opening line…)

Luckily, writers can devote a little time to figuring out that all-important greeting before someone opens the door. Er… book. I’m going to skip past the Usual Suspects and head straight to my own shelves. Oh, the hand-rubbing and gleeful expressions! I love rummaging through my books and I’m in the mood for a little questionable book-sniffing. So I’m going to stick with physical copies this go-round, which is strictly unfair to the digital part of the collection, but who’s the boss? I’m the boss!

Let’s dive right into something a little terrifying…


Patricia Reding

Author of Oathtaker

Patricia’s Website

I found this subject fun—and challenging, as there are so many great lines to choose from. In the end, I chose to go with a couple very well-known openings—followed by a lesser known line, namely (uh-oh, hear the self-promotion here!) one of my own. The reason for my last choice is that I worked very long and hard on the line, and in the end, am so thoroughly satisfied with it, that I’d like to share it with you (and, in truth, I can’t think of a better time to do so).


Parker Broaddus

Author of  A Hero’s Curse & Nightrage Rising

Follow along on Amazon

 

 

Three favorite opening lines?! Impossible! There are too many! But that’s the point of the exercise I suppose. I’m going to throw these out there, undefended, naked and afraid:

1. “Call me Ishmael.” – Moby Dick, by Herman Melville. Interestingly, while both noteworthy and instantly recognizable, this isn’t the opening line to Moby Dick. It’s actually the opening line to Chapter 1, “Loomings,” wherein Ishmael introduces himself, but the novel started some many pages before with two rambling introductory chapters respectively titled “Etymology” and “Extracts.” Melville used these two sections to introduce us to two fictitious researchers who begin to educate us on cetology: the study of whales. You’ve seen an epigraph before – many novels begin with them – a little apropos quotation that precedes the opening lines. But these two chapters go way beyond that, supplying no fewer than eighty epigraphs. Ugg. Talk about foreshadowing. Melville foreshadowed that the novel would frequently digress into the minutia of whales and whaling, leaving us plodding forward in an attempt to recapture the nominal plot. Nevertheless, “Call me Ishmael,” will always be a great opener.

2. “Mr. and Mrs. Dursley of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.” – Harry Potter and The Sorcerer’s Stone, by J.K. Rowling. There’s probably something of nostalgia mixed in my selection here, but who cares. I’m the one picking. From a literary standpoint I love the whole sentence – every word is working on several levels. The hook is instant – the Dursleys are presented as stuffy and boorish, with the implication that there is something perfectly abnormal to come. We’re in. We want to know what strange and wonderful things are coming, and how it will interrupt the Dursley’s normal, boring, and silly lives.

3. It’s a toss up. “He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish.” – The Old Man and the Sea, Ernest Hemingway or “Running for my life was not a part of the plan.” – Nightrage Rising, P.S. Broaddus or just about every one of Rick Riordan’s openers.

 


What about you? Do you have a favorite opening line? Comment and let me know!

A Drift of Quills – A Story’s Picture

Every so often we write about images that inspired aspects of our individual stories, and if we can, we share those pictures with you. This is one of those times.


Robin Lythgoe

Author of As the Crow Flies

Robin’s Website

This recurring theme is one of my favorites! I love sharing with you the images that have inspired my stories (or the images I’ve had to hunt for, trying to match a description!).

I’ve come back to Sherakai’s story—I figure it makes sense since his first book, Blood and Shadow, is currently part of the Self-Published Fantasy Blog Off (SPFBO). Hosted by Mark Lawrence, author of The Broken Empire series and other books, a total of 300 books are judged by 10 bloggers. Am I nervous? (Gulp!) Mostly, I try not to think about it. There is some serious competition in the running!

Since we already caught a glimpse of things in my previous post about him, I thought I’d share some images from the second book of The Mage’s Gift. In Flesh and Bone, Sherakai receives…


Patricia Reding

Author of Oathtaker

Patricia’s Website

This month we Quills are sharing one or more pictures that help to illustrate something from our stories. I’ve chosen to sprinkle a few pics throughout my post, all relating to the same part of the storyline from Oathtaker, The Oathtaker Series Volume One.

Before sharing any pics, let me open by saying that while perhaps a bit odd, I’ve always been fascinated by the words we give to groups of animals. Here are just a few great ones:

Animals: Group Name
Apes: A shrewdness
Buffalo: A gang or obstinacy
Wild cats: A destruction
Otters: A raft
Cobras: A quiver
Crocodiles: A bask
Eagles: A convocation
Ferrets: A business
Hyenas: A cackle
Owls: A parliament
Porcupines: A prickle

To the above, I would add a couple I’ve made good use of in my stories, including the words used for a group of vultures, namely, a kettle, committee, or wake, depending on what they are up to at the time. Then there is my favorite, which is the word used for a group of crows: a murder…


Parker Broaddus

Author of  A Hero’s Curse & Nightrage Rising

Follow along on Amazon

I love illustration and I think it works well for the young reader genre and age. One of my favorite things to do as a kid was to flip through a book looking for the pictures, and things haven’t changed.

I’m a particular fan of simple sketches. I have a collection of them, some commissioned, some that were done by readers. I think that’s something I wish I could do as well, but my sketch art is little more Essie and Tig Concept Artthan a series of stick figures.

This sketch of Essie and Tig, on the edge of the Valley of Fire, looking over the Gray Wasteland evokes a feeling – perhaps of a long journey still to be taken.

 

 

 

This sketch of mercenaries chasing Essie and Tig into the Valley of Fire is great – the looming character in the front is foreboding, and Danny captured the spiky, crusty lava flow with all of its fascinating colors and implied dangers.

Here’s a character exploration of Essie Brightsday. This feels like a good representation of her in Nightrage Rising – you can feel her confidence and ability, and her outfit is just unusual enough to be interesting.

 

Fantasy protagonist, A Hero's Curse

 

And then there’s Tig. I don’t know that I’ve found a rendering of Tig that really captures him in all of his snark and sass. I like these simple drawings, because they seem to capture both his confidence and his connection to Essie.

 

 

 

What about you? What story sketches do you find interesting? I’m reading through The Edge Chronicles right now by Chris Riddell and Paul Stewart. The illustration, on almost every page, is interesting, fascinating, and sometimes downright frightening.  What do you think, or what are you reading that has interesting pictures or a cool cover that inspires the imagination? Comment below or send me an email!

 

Fan Art Competition

The Valley of Fire, by our illustrator, Danny Kundzinsh

 

I’ve loved getting to see the fan art generated by those who read and loved A Hero’s Curse. To reward those talented artists, and in conjunction with the announcement of the sequel, Nightrage Rising, our team has opened up a fan art competition, to celebrate art and illustration that inspires and enhances story, specifically as related to The Unseen Chronicles. The competition will be open from now until November 24th!

Each submitted art piece will be judged according to the following criteria, in priority order:

  • Ability to inspire or capture the essence of The Unseen Chronicles
  • Creativity in delivering a unique vision
  • Demonstrated artistic and technical skills
  • Ability to meet the technical requirements of submission

We’ve created a couple of different entry categories:

  • Open Illustrator Category: First Place – $50 Prize
  • Young Illustrator Category: First Place – $50 Prize

The Open Illustrator Category is meant to be just that – any artist of any age can submit art for review as detailed above. The Young Illustrator Category is meant to encourage artists 13 and under. Winners must be able to accept prize payment via either PayPal or check drawn on a U.S. Bank. Judges will include, among others, P.S. Broaddus, (me!) and our brilliant illustrators Danny Kundzinsh and Rebecca Frank. In addition to the judged prizes mentioned above, popular voting will be available on our Facebook page! Let your family and friends know so they can vote too!

  • Open Illustrator Contest Popular Prize Popular Prize – $25 Prize
  • Young Illustrator Contest Popular Prize Popular Prize – $25 Prize

If you haven’t had a chance to read A Hero’s Curse, or want to comb through it for fan art inspiration, you can grab a copy of the Kindle e-book for free on Friday, November 3rd, Friday, November 10th, or Friday November 17th.

Or, check out Chapter 1 of Nightrage Rising here. Or contact me for more ideas and scenes from Nightrage Rising!

Ready to submit? Upload your fan art here.


Winning art does not become the property of www.psbroaddus.com or P.S. Broaddus.  The artist retains all copyright and may reuse, resale, or repurpose their art as they wish; however, the artist grants www.psbroaddus.com and/or P.S. Broaddus the right to use the image both online at our website, in various social media, and in print in association with the website in perpetuity.
All submitted art will go through a pre-qualification round before being accepted as a suitable submission.  Art will be judged for its suitability as being related to The Unseen Chronicles.  As art is submitted, pieces accepted as suitable contest entries may be displayed online in a contest gallery and in various social media venues to share with our readers.
Non-winning art may be displayed on our site, contest gallery, and on various social media venues (including but not necessarily limited to Facebook) to help promote the contest and expose submitted art to a wider audience. Non-winning art will not be used for any other purpose without the permission of the artist. The artist retains all copyright and may reuse, resale, or repurpose their art as they wish; however, after the contest is completed, the contest gallery and social media displays may remain online to help promote future contests.
If for any reason the competition is not capable of running as planned, including insufficient contest entries, infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes which corrupt or affect the administration, security, fairness, integrity, or proper conduct of the competition, www.psbroaddus.com and/or P.S. Broaddus reserves the right at its sole discretion to cancel, terminate, modify or suspend the competition.

 

 

Syteless Peak

A Hero's Curse - Essie and Tig and Syteless Peak

“Long have heroes attempted to find and conquer Syteless Peak, but its dangers are unseen, and its path hidden. Beware the darkness you can touch.”  First Champion and Kingdom Protectoress Baila Kindgard, as found in The Ruined Scrolls from the Forgotten Epoch.

Royal Archives Volume 72, Kingdom of Mar, “The Ruined Scrolls,” by Royal Historian Reguss Samthorn

Arcus Vulture

Arcus Vulture

Arcus Vultures are a curious contradiction. One of the most dangerous creatures of the Valley of Fire, it is not due to their razor sharp talons or five step wingspan. (Although these are good to be aware of.)

Rather, it is due to their scavenging lifestyle of digging through decaying carcasses that Arcus Vultures carry a swift and deadly disease known as “fleshrot.”

Fleshrot, if not treated, is often fatal within a few hours. See “Fleshrot.” Because this disease is so deadly and because it transfers at nothing more than a scratch most find it prudent to avoid Arcus Vultures entirely. Arcus Vultures also hunt in packs, no more than six to eight but seldom fewer than three, making them even more worthy of avoidance.

However, Arcus Vultures carry a regenerative healing property in their blood that allows them to carry fleshrot without dying.  The chemist philosopher Andrus Corpsen isolated the property and discovered for the modern world the powerful healing elixir that we now commonly refer to as “Second Chance Elixir.” See also, “Andrus Corpsen,” and “Second Chance Elixer.”

Royal Archives Volume 473, Kingdom of Mar, “Arcus Vulture,” by Royal Historian Gregus Sandburr

Rock Ogre

Rock Ogre

The Rock Ogre is a native to the twisted and sharp lava rock caves of the Valley of Fire. Not to be confused with the Forest Ogre, which is much bigger but has lighter and more sensitive skin. (Some Forest Ogres are even known to sunburn). The Forest Ogre lives beyond the hills bordering the Kingdom of Mar in Greatwood Forest. See “Forest Ogre.”

Rock Ogres are known for their massive teeth and their voracious appetite, but not for their intelligence or stealth. Their teeth grow throughout their lives, requiring them to gnaw on rocks or bones to keep them from growing too long. (You can often tell how old a Rock Ogre is by how long his teeth are, although, such examination is rarely possible.)

Rock Ogres, often referred to simply as “ogres” by those from the Kingdom of Mar, do not speak Lingua Comma as you and I do, but instead communicate by a crude system of grunts and pointing. One notable exception to this generality was a circus performing ogre by the name of “Ozblat the Terrible.” He was taught to say “Dana Dizzywittle didn’t do diddly during daytime darts.” This level of speech was so astonishing people regularly paid to hear Ozblat’s performance.

Royal Archives Volume 465, Kingdom of Mar, “Rock Ogre,” by Royal Historian Gregus Sandburr

Exarus

Exarus

The Exarus race is a mysterious race that looks similar to the Kingdom of Mar’s champion war horses but with the addition of wings. The Exarus do not claim any relation to our own breed of horses, although they do have a similar fondness for apples. Little is known of their origin as they guard their history carefully and often keep to themselves.

The Exarus are perfectly proportioned and can speak several languages including Lingua Comma. They are not ridden as we ride horses. Instead they have been sought after as diplomacy and war advisors in the past. The Exarus left the Kingdom of Mar when Amanex was banished by King Yertune during the Cretlin Sea War. Since that time the Exarus have been declared an extinguished race.  See “Amanex, Diplomat of Aeola,” and “Extinguished Races.”

Royal Archives Volume 239, Kingdom of Mar, “Exarus,” by Royal Historian Handel Brushtache

Urodela

Urodela

Urodelas were a salamander-like creature that made their home in the swamplands of Bangular, until those marshes were destroyed and became what is now commonly known as the Grey Wasteland.

A relatively harmless and peaceful creature, they are known for their incredible varying colors and have at times been held as pets by nobles. No Urodela are known to exist today. See “Extinguished Races.”

Royal Archives Volume 611, Kingdom of Mar, “Urodelas,” updated by Royal Historian Smalls Cavimish, original entry see, “Uerodelam,” Royal Archives Volume 328

Urodela, CheepUrodela